Probably the most common change we make is to omit dialogue. There are a lot of changes, big and small, that we make in post. Gould: Post-Production is the final rewrite of the episode. And then also aspects which start touching “Breaking Bad.” And there’s a whole other buffalo. And then also, there’s the question of what happens with Gene. And one of the things is we have more buffalo than ever because now we had 50 episodes before this to think about, to consider, to try to understand, to be consistent with. That’s something I feel like I learned from Vince which is to, instead of always looking forward to what you think you wanna have happen, look back and try to understand the show that you’ve already got. We’re always saying, “Hey, keep watching what’s gonna happen next here.” We have to do something a little bit different. You’d see what happened with Chuck or what happened with Lalo surviving the hail of bullets in Season 5. Gould: Breaking previous seasons, most of the seasons ended with some kind of big change in the show. You can also listen to this podcast by subscribing to Toolkit via Apple Podcasts, Pocket Casts, Spotify, or Overcast. Listen to the entire discussion below or read on transcript highlights from the conversation. They discuss the personnel decisions that have helped elevate the series, how the camerawork has evolved over the course of the show, and their work directing key episodes. With the writers’ room long since closed, and the remaining five episodes in can, the two longtime collaborators reflected on the evolution of creation. “And that adds to the terror because you spend a lot of time saying to yourself, ‘Are we leaving any loose ends?’” “As you’re running outta runway, as you’re trying to stick the landing – we had this feeling with ‘Breaking Bad’ as well, where you say to yourself, ‘What are we missing? Is there anything we haven’t done yet?’” Gilligan reflected. “That’s something I feel like I learned from Vince which is to, instead of always looking forward to what you think you wanna have happen, look back and try to understand the show that you’ve already got,” explained Gould.įor his part, Gilligan admitted he took little comfort in having done it before, and concluding the various “Saul” storylines just as terrifying. 'Better Call Saul' Review: 'Nippy' Says a Bitter Hello to the Future and the Past at the Same TimeĪ History of Unsimulated Sex Scenes in Cannes Films, from 'Mektoub' to 'Antichrist'Įmmy Predictions: Outstanding Limited or Anthology Series - Can Hulu Hold Off a 'The White Lotus' Win? One key was to reverse engineer the dramatic collisions and consequences the series had been exploring for five seasons – an exercise rooted in the understanding of their characters, rather than plot.īob Odenkirk: My Heart Attack Made It 'Much Easier' to Act in 'Better Call Saul' While on the podcast, Gould and Gilligan discussed how their process was, in part, grounded in the lessons taken from Gilligan’s successful landing of “ Breaking Bad,” which Gould helped write and produce. We’re always saying, ‘Hey, keep watching what’s gonna happen next here.’ We have to do something a little bit different. “You’d see what happened with Chuck or what happened with Lalo surviving the hail of bullets in Season 5. “Breaking previous seasons, most of the seasons ended with some kind of big change in the show,” said Gould. While on the Filmmaker Toolkit Podcast, co-creators Peter Gould and Vince Gilligan reflected what a different exercise it was for their writers’ room to map out the series’ final act. But with the last leg of its sixth and final season starting, the series enters a time of repercussions. “ Better Call Saul” has gotten a lot of mileage out of demonstrating how its characters unintentionally reap whirlwinds of their own making.
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